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"BEYOND BORDERS" movie, fact or fiction?Submitted by JCarson on November 10, 2006 - 2:42am.
Hi everyone, Tags: The Lighter Side
Are there any instances in which you have encountered any illegal offers that would in return benefit your organization in funding or supplies? Are there a FEW circumstances that an aid worker has made the wrong decision in this situation? Perhaps the rare case that this has happened or an aid worker has been kidnapped is what film producers are directly focusing on? What's the truth? Hi Tom you should watch Hotel Rwanda if you are tring to nail a movie that talks about Aid workers who are doing some genuine work, barring all the drama attached to it, it's a good flick. Hi Komal -- I have not yet seen Hotel Rwanda - it's certainly on my list. Jcarson's original question focused on how much Beyond Borders reflected reality, so I made note of equally terrible films (fiction, not documentary) about expatriate aid workers. I'd love to see a decent list of "must see" films about particular countries, focussing on political or development themes. Lumumba or The Battle of Algiers are both intelligent films about politics in Africa. I'm sure there are many also more focussing on post-colonial themes. I mean, there's even a biopic of Franz Fanon! Someone smarter than me chime in here ... I have just watched 'The Constant Gardener' a film very inferior to the book. It has an interesting take on aid workers too, covering all three of Toms points above. It seems that we either have to be deeply cynical, on the make and generally nasty or highly idealistic and innocent of the real world. I am not sure if the film of Emma Scoggin's book 'Emma's War', an interesting, factual account of Emma McCune’s brief role in south Sudan politics, has been finished yet? But that may be an interesting one to look out for. The aid world, though, must be faily odd from the outside and there are a few who fit these 'types' which perhaps make more interesting viewing than the vast majority of porfessional people doing their job. A good example of the "highly idealistic" stereotype of aid workers can be found in Sahara. In this film a WHO doctor helps solve - wait for it! - a corporate scandal that is causing a "plague" in Africa.
Also, according to some films, aid workers are in constant need of rescue by maverick military units. Check out Tears of the Sun, for example. Here, a "Doctors Without Borders" medic ropes a US miliary team into defeating - wait for it! - a plot to kill off Nigeria's ruling family. So much for humanitarian space.
Don't get me started on the plot of Rambo IV, which should offend NGO security officers everywhere:
I'm sure there are more examples. Those are some great examples, I never realized there existed other films that were also offensive to NGO's and aid workers in this respect. Beyond Borders, I believe, was the only one that received a lot of press and was surrounded by controversy (it was not even released in the UK). I thought maybe we should not really be the heroes of any story. The work is about highlighting the plight populations who have no voice. INGOs media departments and the media in general often want to put forward the expat aidworker as the hero to raise the profile of the emergency and the work of INGOs and raise funds. Maybe films like "Hotel Rwanda" and "The Killing Fields" are the ones we should be watching and talking about. These give a more genuine voice and put at the centre of the story those affected by human rights violations, conflict etc. How about films that are not made by American or European movie studios which concern humanitarian themes? How can we possibly strike a balance, don't you think those films have to take a stand or else the purpose of spreading a message would get defeated. A concerned reader emailed Aid Workers Network to let us know that Julie Benz will star as "the hot aid worker" in Rambo IV (link).
I despair! On the up side, howver, the movie isn't out until mid 2008, which gives us plenty of time to train our brains to ignore it. |
I'd turn this question around and ask if there are actually any films at all about humanitarian emergency workers that do not rest their drama on the the highly questionable assumptions that relief workers are:
Are you using any other films as a counterpoint to your analysis of this wholly rancid movie?